FabFilter Pro-L 2

SKU: FAB0012

True peak Limiter with Surround Sound – Your music has so much to gain


About this item



FabFilter Pro-L 2 is a major update to the Pro-L limiter plug-in. With four brand-new limiting algorithms, “Modern” for general all-purpose limiting, “aggressive” for EDM and rock music, “Bus” specific for drums and individual track limiting, and “Safe” which avoids distortion at all costs. Also newly added is the true peak limiting mode which makes it extremely easy to hit a maximum true peak target. Combined with improved true peak metering and extensive loudness metering that’s compliant with the EBU R128, ITU-R BS.1770-4, and ATSC A/85 standards.

Loud and clear

A true peak limiter is an essential tool for every mastering or mixing engineer. Are you looking for a professional, feature-packed limiter that is loud and transparent at the same time, equipped with extensive loudness metering? Then FabFilter Pro-L 2 is your weapon of choice!

Top-class metering

FabFilter Pro-L 2 features precise true peak level meters and extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4, and ATSC A/85 standards. Combined with its unique real-time level display, you have all the information you need to achieve the best possible results.

Professional feature set

With highly advanced algorithms, linear-phase oversampling, professional dithering and noise shaping and surround support (up to Dolby Atmos 7.1.2) and intelligent channel linking, FabFilter Pro-L 2 is the complete solution for every mixing and mastering job.

FabFilter goodies

Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, an excellent help file with interactive help hints, SSE optimization, GPU-powered graphics acceleration and much more.


– Great transparent sound combined with maximum loudness.
– Eight sophisticated, carefully tuned limiting algorithms,
– True peak limiting.
– Up to 32x linear-phase oversampling to minimize aliasing and inter-sample peaks.
– Low CPU usage.
– Highly accurate output and gain reduction metering, including true peak metering.
– Extensive loudness metering
– Various meter scale settings, including K-System support.
– Surround support, including Dolby Atmos 7.0.2 and 7.1.2 formats with flexible surround channel linking.
– Unique, highly-informative real-time level display.
– Optional DC offset filter.
– External side-chain triggering for stem mastering.
– Unity Gain option to easily listen to the effect of the current limiting at unity gain level.
– Audition Limiting option to listen to the difference between the input and output signal.
– Adjustable Look-ahead, Attack, and Release settings to fine-tune the sound of the algorithms.
– Separate, freely adjustable channel linking for both the transient and release stages.
– Professional dithering with three different noise-shaping algorithms.
– Adapts automatically to stereo, mono, and surround channel layouts.
– Full-Screen mode for precise adjustments and insightful metering.
– Multiple interface sizes: Medium, Large, and Extra Large, as well as a separate Compact mode.
– Retina support on OS X and High DPI support on Windows.
– GPU-powered graphics acceleration.
– Supports common Pro Tools hardware control surfaces.



– Windows 10, 8, 7, Vista or XP and a VST 2/3 host or Pro Tools
– Both 64-bit and 32-bit hosts are supported.

Mac OS X

– Mac OS X 10.6 or higher with Intel processor, and an Audio Units host, VST 2/3 host, or Pro Tools.
– Both 64-bit and 32-bit hosts are supported.

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