Shure KSM32

$499.00

Cardioid Condenser Microphone (Charcoal or Champagne)

Description

Cardioid condenser microphone delivers a smooth, neutral sound reproduction with full character and consists of a microphone, a padded, zippered carrying bag, and a swivel mount.

An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural-sounding reproduction of the original sound source.

Features:

  • Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.
  • The embossed, high-compliance diaphragm provides extended low-frequency response.
  • Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response
  • 15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
  • A switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.
  • Integrated three-stage pop protection grille reduces “pop” and other breath noise
  • Internal shock mount reduces transmission of handling noise
  • Replacement cartridge: RK374

Performance Characteristics:

  • Extended frequency response
  • Very low self-noise
  • Exceptional low-frequency reproduction
  • High output level
  • High input SPL capability
  • No cross-over distortion
  • Extremely uniform polar response
  • Superior common-mode rejection and suppression of radio frequency interference

Applications:

Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.

  • Voice — solo, background, voice-over, broadcasting
  • Acoustic instruments — such as piano, guitar, drums, percussion, strings
  • Wind instruments — brass and woodwind
  • Low-frequency instruments — such as double bass, electric bass, kick drum
  • Overhead miking — drums or percussion
  • Ensembles — choral or orchestral
  • Room ambiance pick-up — guitar amplifier or drums
  • Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.

In the Box:
1 – A32M ShureLock® Stand Mount
1 – AK32C Padded Zippered Bag

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