Description
DPA Gooseneck Microphone
Speech intelligibility – low noise
- Outstanding audio quality
- Wireless podium mic capability
- Highly directional – very isolated
- High rejection of radio frequency interference
- Sleek Scandinavian design
DPA gooseneck microphones have quickly become a very popular choice for podium mics as well as for conference room usage as either tabletop or ceiling mounts.
In conference use, boardroom applications, and videoconference situations the DPA mics give you trouble-free installations and deliver pristine, clear sound.
DPA’s gooseneck microphone solutions are primarily for the installation segment.
4098 Supercardioid Microphones
With very low noise and high sensitivity, 4098 Supercardioid Microphones offer the clearest, most transparent, and most natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping, which allows the mic to deliver high speech intelligibility even when the speaker gets excited and starts to speak VERY loudly. With a linear response, low distortion, and an extremely large dynamic range, these mics sound great no matter how challenging the environment.
In addition, speaking into the side (off-axis) of the microphone doesn’t make the audio sound worse, it just drops the level of your voice.
The 4098 Supercardioid Microphone is available in many variants. It comes in either black or white, with either an XLR or a MicroDot termination, and in five lengths ranging from 16 cm (6 in) to 122 cm (48 in).
MicroDot lengths
Black:
- 16 cm (6 in)
- 28 cm (11 in)
- 43 cm (17 in)
- 77 cm (30 in)
- 122 cm (48 in)
White:
- 16 cm (6 in)
- 28 cm (11 in)
- 43 cm (17 in)
XLR lengths
Black:
- 20 cm (8 in)
- 32 cm (13 in)
- 47 cm (18 in)
- 77 cm (30 in)
- 122 cm (48 in)
White:
- 20 cm (8 in)
- 32 cm (13 in)
- 47 cm (18 in)
*Custom variants are available on request.
4011 Gooseneck Microphones
Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources.
A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern.
Due to its modular nature, the 4011 Cardioid Microphone Boom can be combined with different lengths of podium booms – 15, 30, or 45 cm (6, 12, or 18 in). If longer booms are needed for floor stands with visual elegance, our long booms at 75 or 120 cm (30 or 48 in) make a high-quality stage voice mic together with our dedicated accessories.
4011 Gooseneck Microphones come in five lengths:
- 20 cm (8 in), 32 cm (13 in), and 47 cm (18 in) boom intended for podium solutions
- 77 cm (30 in) and 122 cm (48 in) for floor stand applications
4018 Gooseneck Microphones
This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency-dependent peaks and dips.
Due to its modular nature, the 4018 Supercardioid Microphone Boom can be combined with different lengths of podium booms – 15, 30, or 45 cm (6, 12, or 18 in). If longer booms are needed for floor stands with visual elegance, our long booms at 75 or 120 cm (30 or 48 in) make a high-quality stage voice mic together with our dedicated accessories.
4018 Gooseneck Microphones come in five lengths:
- 20 cm (8 in), 32 cm (13 in), and 47 cm (18 in) boom intended for podium solutions
- 77 cm (30 in) and 122 cm (48 in) for floor stand applications
Complete floor stand solution
We have a complete modular floor stand solution that offers a high-quality stage voice or instrument mic.
The floor stand has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV studios, OB-vans, and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The threaded screw holds the Stand Extension and Active Boom Pole. This unique design allows for a long stage-microphone boom pole that does not swing but rapidly stabilizes itself after being positioned.
These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with many of our pencil microphone capsules and preamplifiers.
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