Description
SPL MC16
The MC16 is designed to monitor surround and immersive audio projects (Dolby Atmos®, Auro 3D®, etc…) in the analog domain, offering the same unrivaled quality as 120V stereo monitoring.
16 SpeAKERS
Sixteen buttons are used to activate the corresponding loudspeakers.
The 16 inputs of Input 1 and Input 2 are routed directly to the outputs to ensure that an output routing of a DAW session always matches the routing in the MC16.
The buttons allow you to insert a label with the exact name of the loudspeaker.
2 x 16
MC16 offers two 16-channel inputs to quickly compare a current project with a reference production.
Monitor Level
This analog potentiometer is used to adjust the monitor level. We developed a 16-level potentiometer, with which we could realize the volume control in the analog domain because we did not want to accept a digital control, which is afflicted with resolution deficits and limited dynamic range.
Presets
You can save speaker setups to three memory locations. So you can quickly call up a 5.1 or an 11.1 or a 9.1.6 configuration.
In solo mode, three more memory locations are available with the duplicate keys. For example, you can create solo groups for all front speakers and all ceiling speakers, and all rear speakers.
The 120V technology
The 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps.
The highest possible audio quality requires the highest possible audio operating voltage.
The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers.
This high voltage would destroy conventional components and operational amplifiers.
The 120V technology achieves impressive technical specifications and sonic benefits. Technically, in terms of dynamic range, signal-to-noise ratio, and headroom. Sonically, in terms of richness of detail and an absolutely relaxed listening experience.
By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.
The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with a toroidal transformer. Rectifiers convert this AC voltage into the DC voltage needed for the audio device.
The idea for SPL 120V technology and the SUPRA operational amplifier based on this technology were developed in the 1990s by SPL founder and chief developer Wolfgang Neumann.
With the goal of building the best mastering console ever, this basic technological philosophy then took shape for the first time – thus the SPL MMC1 Mastering Console for Galaxy Studios saw the light of day in 2000.
The outstanding sonic and technical features quickly got around in the scene – so further orders were not long in coming.
Besides the MMC 1, another legendary product with 120V technology was created with the PQ, the “King of Parametric Equalizers”.
Since that time, 120V technology has been the foundation for all SPL premium products. Meanwhile, not only for mastering applications but also for studio or hifi use.
What exactly is that?
And what does it do?
Good questions need good answers.
And that’s what the 120V technology video gives you.
Comparison
Most audio devices work with an internal operating voltage of +/-15 volts and can thus process a maximum input level of +21.5 dBu. If a DAC, for example, has an output level of +22 dBu at 0 dBFS, level peaks of the music material would already cause overload in the input stage of the device.
All components in the audio device often operate at their limits. The result is an unsteady sound that causes stress and faster ear fatigue.
SPL devices with 120V technology can handle input levels of +32.5 dBu thanks to the higher internal operating voltage of +/- 60 volts – thus offering 12 dB more headroom. All components consequently operate continuously in the optimum operating range. The result is a very pleasant, natural, and relaxed sound experience. So you can enjoy your music in every detail.
Specifications
Analog inputs & output; XLR & DB25 (balanced)
Internal Linear Power Supply with Shielded Toroidal Transformer
Mains Power Supply
Dimensions & Weight
Reference: 0 dBu = 0,775V. All specifications are subject to change without notice.
